Written by Daniel Abraham
Art by Eric Battle
32 pages, color
Published by Dabel Brothers Productions
Writing a licensed comic book seems to be a peculiar sort of balancing act. It seems like there would be two obvious ways to approach the book; either assume that all your readers are familiar with the source material and just hit the ground running, or assume that none of your readers are familiar with the source material and spell everything out for them. Instead, a lot of these comics go for a strange sort of third option, trying to play to both crowds. In the case of Wild Cards: The Hard Call #1, all it seems to really create is a feeling of frustration.
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Posted in Other Publishers | 1 Comment
By Veronique Tanaka
64 pages, black and white
Published by NBM
There are times when the back cover copy to a book can actually be a turn-off. Let’s take Veronique Tanaka’s debut graphic novel Metronome, which states, "Just when you thought that nobody could create something new in the comic medium, here comes Metronome [...] a ’silent’ erotically-charged visual poem, an experimental non-linear story using a palette of iconic ligne clair images. Symbolism, visual puns and trompe l’oeil conspire in a visual mantra that could be described as ‘existential manga’…" Now maybe I’m in the minority here, but this sounds so snooty that my first reaction was to not want to read it. Honestly, if it hadn’t been for the introduction by Jeff Smith mentioned on the front cover, I might have passed it by. But you know something, I’m glad I took the time to read it—despite the best efforts of the copy writers.
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Posted in NBM | 1 Comment
Story by Tou Ubukata
Adaptation by Kiriko Yumeji
208 pages, black and white
Published by Del Rey
Comics in any country often have a large number of similar plot points or genres that get repeated from one work to the next, regardless of creator. From the evil sibling to the secret identity, seeing these ideas crop up over and over again becomes less and less of a surprise the more you read. In the case of Le Chevalier d’Eon, though, I must admit that Tou Ubukata and Kiriko Yumeji managed to sneak up on me with a well-known trope in Japanese manga. After my surprise faded, it hit me as to why they’d managed to get me—I’d never have expected it in a historical horror saga.
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Posted in Del Rey, Manga | 1 Comment
By Cyril Pedrosa
272 pages, black and white
Published by First Second Books
Reading Cyril Pedrosa’s Three Shadows, I couldn’t help but think about the brief author’s biography provided in the end-flaps of the graphic novel. In it is the mention that Pedrosa was inspired to create the book after watching close friends lose a young child. It seems like a particularly grim thing to put up front, but at the same time I think it’s actually the smart thing to do. Providing context for this story makes what might feel like an overly long book instead makes its padding work in its favor.
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By Alex Robinson
128 pages, black and white
Published by Top Shelf Productions
“What if you could go back and do it all again?” It’s a pretty familiar question, one asked both in real life as well as in fiction. Generally speaking, my immediate reaction has always been, “Why on earth would I want to?” With his new graphic novel Too Cool To Be Forgotten, though, Alex Robinson has found a satisfactory answer to that question and in a way that actually makes me wish I really could go back.
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Posted in Top Shelf | 1 Comment
By Hope Larson
176 pages, black and white
Published by Atheneum Books
What I think I like the most about the announcement of a new Hope Larson book is that you never really know what to expect. The only real constant between her first two graphic novels, Salamander Dream and Gray Horses, was a quiet, graceful sort of quality in how she told the story. So while it’s no surprise that her new book Chiggers has that in spades, my one real surprise was how while it’s the most grounded in the real world of her books to date, she’s still able to bring bits of the fantastical into the story—and how well they fit.
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By Kean Soo
160 pages, color
Published by Hyperion
In what seems to be a trend these days, Jellaby was a web comic that I absolutely loved, only to have it go on hiatus because of a print edition being announced by a major publisher. When Kean Soo announced the change in status for Jellaby back in early 2006, I hadn’t counted on needing to wait almost two years to see the end result. The one bright side, though? Having read the first 60 odd pages already, I knew that I wouldn’t be disappointed.
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By Matthew Loux
96 pages, black and white
Published by Oni Press
When I was a child, one of my favorite books to check out from the library was what I’ve come to think of as, “children’s vacation adventure.” It’s a book where the main characters are school children off on a trip (often but not always their summer vacation), where what may seem to be a boring place turns out to be anything but. It’s a tried and true set-up, in no small part because the reader more often than not can project themselves into the same situation, wishing that their less-than-exciting vacation suddenly was full of magical creatures and items. I know that over the years, books like Susan Cooper’s Over Sea, Under Stone or Edward Eager’s Magic by the Lake grabbed my attention quite firmly on many a long trip. Matthew Loux is using that same basis for his new graphic novel series Salt Water Taffy: The Seaside Adventures of Jack and Benny. And you know, I can’t help but think that kids will be just entranced by Loux’s graphic novel as I was by my books back in the day.
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Posted in Oni | 2 Comments
By David Lapham
32 pages, color
Published by Vertigo/DC Comics
I still remember when David Lapham’s Stray Bullets #1 first hit stores. It was a huge leap forward for him artistically, and the writing was like nothing I’d have expected from Lapham. At the time he was best known for his work on books like Harbinger and Warriors of Plasm; his gritty, urban crime story was a far cry from psychic teenagers or inter-dimensional gladiators. With the debut of his new series Young Liars for Vertigo, I was ready to be blown away with a new Lapham creation. What I found, though? Certainly not what I was expecting.
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Written by Harold Sipe
Art by Hector Casanova
28 pages, color
Published by Image Comics
Never let it be said that I don’t have a sense of humor. With so many different comics hitting the stands, one often has to make quick decisions on if a book will make the “review stack” or not, these days. In the case of Harold Sipe and Hector Casanova’s Screamland #1, I glanced at the first three pages—and promptly laughed so hard that I knew this was making the pile. I can’t think of a better way to make sure someone buys your book.
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Posted in Image | 1 Comment